Michelle Stuart

For nearly six decades Michelle Stuart has made an impact on the contemporary art world. Ranging from earth-works to artist’s books, her investigations – often hinging on the photographic image – consider both the physicality of materials and the cultural and scientific issues not generally included in the vocabulary of art.

Thank you to Michelle Stuart for passing along the image of Niagara Gorge Path Relocated which she made here in 1975; it can be seen through the lens of the invented appliance by Allen C Topolski (titled Something Good to Have Around).


These Fragments Against Time, 2018
Wall: 130 archival inkjet photographs; Table: laminated wood, metal
88 3/8 x 147 1/2 inch.    Table: 24 x 22 x 96 inches


Here on Slab #10 Something Good to Have Around, found objects and materials, 2016 and A Pedestal Not Unlike Myself mixed and found materials, 2002

Popular posts from this blog

Residuals (Aster/Allen Topolski)

Residuals is an installation of objects and materials that operates at the intersection of (imagined) domesticity and (creative) productivity/industry. An artist residency is a place where art construction intersects with the functional necessities of life. Residuals presents an imagined intersection of the makers of this project and the notable artists who participated in the Artpark Residency in the '70s and '80s. The cabins in which they stayed were once built on these concrete slabs; t he fabricated remnant on each slab references a particular artist that attended the Artpark Residency.  Allen Topolski and Aster Topolski (father/daughter) seek to emphasize the path that was cleared by the artists who preceded them - those who laid the groundwork for the many conceptual approaches they exploit in their own current work.   “Owned and operated by New York State, Artpark opened in 1974 as an unprecedented experiment in artist-public interaction and site-specificity that balan
Read more

Alice Aycock

Image
Alice Aycock is considered a pioneer in environmental art and site-specific art. As a leading sculptor during the feminist movement of the 1970s, Aycock’s work help resituate sculpture’s interdisciplinary nature - couched between architecture and landscape. She installed The Beginnings of a Complex... (below) in Artpark in 1977. The work titled Stairs (These Stairs Can Be Climbed) was built three years earlier.     "The Beginnings of a Complex..." Excerpt Shaft #4/Five Walls, 1977 Wood  28’ high x 8’ wide x 6’ long, Artpark, Lewiston, NY   Stairs (These Stairs Can Be Climbed) 1974 Wood  14’2” long x 10’ wide x 13’4” high (original dimensions) Here on Slab #11   A Pedestal Exactly Like a Kitchen
Read more

Agnes Denes

Image
  Agnes Denes  is a  primary figure among the concept-based artists who emerged in the 1960s and 1970s. She  attended the ArtPark residency in 1977 with Laurie Anderson, Alice Ayecock and Martin Puryear and then again in 1979 with Ursula von Rydingsvard and Gene Davis.   Tree Mountain - A Living Time Capsule-11,000 Trees, 11,000 People, 400 Years, 1992-96, (420 x 270 x 28 meters) Ylojarvi, Finland   http://www.agnesdenesstudio.com/works4.html Here on slab #6   Met-O-Mat, found materials 2014
Read more